Monday, 15 February 2021

There Goes Pretty

 


There Goes Pretty
is the latest novella from Dark Minds Press, the eighth in the series. It’s penned by C. C. Adams, an author whose work I’ve enjoyed in the past (and who featured a favourite monster of mine in his earlier novella But Worse Will Come).

It tells the story of the relationship between Denny and Olivia and opens with their wedding at Shakespeare’s Globe in London. As the couple begin their new life together, so the cracks begin to show – more than the to-be-expected frictions of living together though, there is an external agent interfering with their plans.

A feature of all Of C. C.’s writing has been the excellent characterisation he produces and There Goes Pretty is no exception to this. All the characters within are well formed with traits and habits which ring true. The relationships between those characters is another strength of his writing and this is definitely to the fore here. The interplay between Denny and Olivia and the mistakes they make (with the associated over-thinking) will be familiar to anyone in a relationship.

With the groundwork done establishing the characters and their relationship (and with only a little foreshadowing), the supernatural elements of the story are introduced about a third of the way into the novella. I have to say that the two main scenes in which this happens are extremely effective, generating a real sense of terror and panic.

They’re effective too in the way they fit into the narrative, happening when the couple are apart, casting an air of ambiguity over them and leading to a situation where trust becomes a major issue for the newly-weds.

As the relationship deteriorates, so the rationale for the strange events is revealed. Whilst I was cool with the reveal I did feel that it could have been done in a more dramatic way than it is here, there’s no real “wow” factor to the revelation.

The book rallies for a strong, and clever, finish though – one that nicely plays with the themes of friendship, loyalty, trust and love which have run through the book.

I liked There Goes Pretty very much; it’s further evidence of an author on the brink of big things and a fine addition to a fine range of novellas. Once again the stunning artwork featuring the characteristic red/black colour scheme is provided by 77Studios.

You can buy There Goes Pretty here.

Thursday, 28 January 2021

On the Shoulders of Otava

 

On the Shoulders of Otava is a novella by Laura Mauro and is published by Absinthe Books, a new imprint of PS Publishing. Its title is taken from a line of the Kalevala, a nineteenth century epic poem which recounts the oral history of Finnish folklore and mythology. Extracts from the poem provide epigraphs for each chapter of the book - appropriately so, given the prominence the mythology has in the narrative of the novella.

The story is set in 1918, during the civil war which raged in Finland as a result of the political vacuum left behind after the end of the First World War. This conflict was a horribly literal class war, fought between the mainly middle and upper class Whites and the Reds of the Socialist Workers’ Republic. The war lasted fifteen weeks but tens of thousands died, many at the hands of death squads and executioners.

The protagonists of On the Shoulders of Otava belong to a unit of the Womens’ Guard -  a division of the Red Guard. Around 2000 women served in such units, some as young as fourteen. The story focuses on the experiences of Siiri, and begins with her glimpsing a shadowy figure in a churchyard, wandering as if in a trance. This figure turns out to be a fellow – male - soldier who, the next day, carries out a violent, seemingly unprovoked, attack on the squad leader.

The scene describing the attack is cleverly written – as are so many within the book – with the action happening at a distance, almost off-camera and only its aftermath being described in any detail. The reader gets to share the shock of the book’s characters as the nature of the wounds which have been inflicted are revealed in the discussion that follows the attack.

This flash of violence also serves to introduce the mystical aspects of the story (although this is kinda foreshadowed with the gothic-tinged shadow in the churchyard scene). The attack was completely out of character for the perpetrator – a “goody-goody” by all accounts – but the possibility is raised that it could be linked to his prior disappearance on a hunting trip in the woods during which he experienced what may have been a supernatural event.

As the narrative progresses, and Sirii and her companions find themselves isolated in those same woods, so the supernatural elements come more into play. The choice of an ancient woodland as location is a perfect one and an incredible sense of atmosphere is generated by some wonderful prose. It’s an inspired choice of location too, given the prevalence of the natural world, and animals in particular, in Finnish folklore. Most notable among these are Otso, the bear - a major player in the creation mythology and Tulikettu the firefox. Amid the established mythology, Laura has added (as far as I can tell) her own invention – that of ghost-lighting. It’s an intriguing concept, and one which lies at the heart of the narrative - so any further discussion here will unavoidably lead to spoilers.

Finnish folklore is possibly less well known to most than other nations’ variations – not least the Norse mythology of their Scandinavian neighbours and therefore necessitates some introduction. This is done skilfully however; the stories are cleverly woven into the narrative, never once feeling bolted on, instead merging into the flow of the story seamlessly.

Ambiguity plays a big part of course. The best weird fiction balances the fantastic with the normal, allowing the reader to arrive at their own decisions as to what is real and what isn’t. It’s all too easy to fall into the trap if being too obtuse, and leaving the reader scratching their head as to what they’ve just read. Such is not the case here. That fine line has been navigated very successfully and the novella is as accomplished at creating a sense of awe and wonder as it is in recording the harsh reality of being at war in a hostile climate.

On the Shoulders of Otava is a wonderful piece of writing. It’s beautifully constructed, the themes it establishes in the opening scenes carried through consummately to the conclusion. It’s a (relatively) short read but manages to pack in some great characters (and their interactions and motivations), social and political comment that doesn’t bludgeon the reader, elegant prose (written in a hugely involving present tense), a brilliantly created sense of atmosphere and a salutary reminder of mankind’s place (i.e. insignificance) in the grand scheme of things. It’s a book I highly recommend.