Wrapped in Skin is
the new collection from Mark Morris and is published by ChiZine Publications. It contains
fourteen stories, spanning the last ten years of his writing career – a career
I’ve followed with much enjoyment since reading Mark’s first novel, Toady, which I read back in 1989 when it
was first published. I loved the book, for its imagination, its cultural
references (not least to The Jam) and because it referenced Raggety, the stick-like troll creature
from the Rupert annuals who scared the shit out of me as a kid. I was born in
the same year as Mark and it was great to see an author who was writing books –
horror books no less – which reflected my
world, my influences.
Much joy then, to see this collection is now available. Mark’s
novella Albion Fay was one of my
highlights of last year’s reading and I await, with bated breath, the
conclusion to his Wolves of London trilogy
later this year. Even better, I had read only two of the stories previously – The Red Door, one of the more enigmatic
tales in the collection, a story of loss and faith and Waiting for the Bullet, a high-concept tale of adrenalin junkies,
time-travel and, ultimately, fate and human nature.
The past may be a different country, it can also be The Scariest Place in the World – and the
eponymous story is an example of a recurring theme in this collection, (and Mark’s
writing generally), that of the past coming back to haunt us. These hauntings
are both metaphorical and literal and I have to say it’s an absolute joy to
read horror stories unafraid to use classic tropes, not in a post-modern, ironic
way but because they are scary –
proper scary. The opening story, Fallen
Boys, is a prime example of this. A group of kids, an outsider among them,
go on a field-trip to a supposedly haunted mine… Proper scary.
Children feature in many of the stories, and most
effectively too. Creepy kids are another staple of horror fiction and there’s a
lovely example to be found in Feeding
Frenzy, a surreal tale of a dysfunctional father/son relationship that
culminates in a killer last line. Whilst this story has its tongue firmly in
its cheek, another story which has children as main characters, Puppies for Sale is a much harder read,
distressing and disturbing it’s a story whose ambiguities are its strength and which
was, for me, the highlight of this collection.
There’s a variety in tone in the stories here - which is not
a weakness but rather a strength, evidence of Mark’s versatility as a writer.
Just when you’ve finished smiling at the clever trickiness of White Wings you’re hit with the bleak,
real-life horrors of Complicit. Like
a good album, the running order has been carefully picked here methinks. The collection
is a potent blend of supernatural and real-life horrors, somehow becoming more
than the sum of its parts. Hell, it even features Sid Vicious in a Faustian
deal.
Wrapped in Skin is
a classy collection, and a marvellous showcase for one of the real talents in
the horror writing world. The prose is crisp and uncluttered, a joy to read. No
fancy stylistic ticks here, no self-indulgent purple passages but every now and
then a simile or description will pop up to take your breath away. It’s a book
I highly recommend.
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